Tag Archives: Capture One

My Capture One Pro Workflow

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Hi Folks:

There are innumerable posts and videos about using the tools built in to Capture One to process your images to achieve certain looks… this is not one of them. Rather, this outlines the steps I take before I get to that stage. Before I get started I’ll quickly mention that I hopped on the Lightroom bandwagon from the first Beta, and jumped ship after v. 6.14. I moved to Capture One at that time, and although it has its own quirks (and frustrations), I’ve been mostly happy with it ever since. I’m currently using Capture One Pro 23. I should warn you that this post is (typically) both long and detailed. Some might mark it tl:dr and move on, but if you stick with it I trust you’ll find something of value. Continue Reading →

Low Light, High Noise and ISO Invariance

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Hi Folks:

It was a dark and stormy night. I’ve always wanted to write that… haven’t you? Okay, in this case it wasn’t night (mid-to-late afternoon) and it was sunny rather than stormy, but it was dark. Marcia and I were on a trip to Tofino, BC and I was wandering along the boardwalk of the Rainforest Trail in the Pacific Rim National Park Reserve. The elder trees soaring above me blocked out much of the daylight, but they were the reason I was there.

Before we get too far, a few basics to get out of the way. First, I was shooting with a Sony a7Riii camera with the FE 24-105 lens, set to 1/125th second and f/6.3. ISO was set to 5000, but we’ll get to that later. I didn’t bring a tripod that day, but I did have my camera sitting on a Manfrotto monopod. Second, I have no idea what you see when you look at these images. This is partly because I don’t know if your monitor has been calibrated and profiled, and partly because I don’t know if you’re using a web browser that allows colour management and/or if you’ve enabled that. In the end none of that really matters because this is essentially an apples to apples comparison. I should note that this post isn’t targeted toward beginner photographers, but if you read something you don’t understand, please feel free to leave a comment on this post or fill in our Contact Form. The only stupid question is the unasked one.

There are three software packages in this game: Capture One 23 (16.1) is my raw editor. PTGui 12.20 is software for stitching panoramas, and Topaz DeNoise AI 3.7.2 is noise reduction software. AI is a term used ubiquitously these days, but the only intelligence involved here is still with the programmers. AI software uses very large databases of information and certain algorithms to make what one might call educated guesses as to what the user wants. Also, when processing in any of these packages there are what are known as auto adjustments (I’ll refer to them here as AA) and there are also sliders whereby one can tweak the suggested settings. With the exception of the final image, I stuck to AA in order to keep the processing as equivalent as possible.

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Panoramas: Making Waves

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Hi Folks:

I’ve been making digital panoramas since I owned my first digital camera, and some time before that with prints (although we called them photomosaics back then). Just to be clear, there’s a difference (at least to me) between a panoramic image – one that’s been cropped to a wide-aspect format – and a digital panorama. A digital panorama is one where 2+ images of the same scene are combined in post-processing software to create one image that captures more of the scene than could be contained in a single frame. There are several advantages to creating panoramas; three of the most prominent are:

  • the aforementioned ability to capture more of a scene
  • the ability to use a longer focal length lens to avoid wide-angle lens distortions and vignetting
  • the ability to create higher resolution images than can be captured in a single image

We’re not going to get into the technical details of making panoramas in this post, but those who are interested are welcome to review our other posts on panoramas, here. This is an example of a digital panorama:

Tofino, BC – 60 images (click on any image to see it larger)

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Working With Capture One’s Exposure Warnings Feature

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Hi Folks:

Before I get started I wanted to add a shout out to two people: David Grover (Capture One) and Paul Reiffer, both of whom know much more about Capture One than I do, and from whom I’ve learned most of what I do know. Thanks!

Okay. This post is going to assume two things. The first is that you know what a photographic histogram is, and the second is that you’re familiar with Capture One’s editing software. If you need help with the first, we have a (very old) post here on the Essentials of Digital Photography. If you need help learning Capture One, check out the links above or leave a comment here.

I’m using Capture One 21 (14.2) but if I remember correctly this should work back to at least version 12 if not before. Continue Reading →

Learning to See in Black and White

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Hi Folks:

This is the sixth of the YouTube videos we’ve done for the Victoria Photography Meetup Group. Since the videos are out in the wild anyway, we thought maybe we should put them up here as well. The last talk was on the basics of colour so this one is on making black and white (grayscale) images. For most people, the best way to make grayscale images is to shoot in colour and then convert the images into grayscale on the computer. We explore the reasons for that and a few ways to maximize that colour information…even when all you can see on your screen are shades of gray.

As always, if you have any questions or comments, feel free to leave a comment below or fill out our contact form.

Two versions of an image of the Koksilah River: the top in colour and the bottom in black and white. This image is the link to the tutorial video.

Learning to See in Black and White

Hugs,
M&M

P.S. You can find the rest of our tutorial posts here. We’re closing in on a hundred now, I think.
P.S. II, the sequel. Harvey Stearn has an excellent post: Black & White Image-Making In the Digital Age. Well worth reading.

An Introduction to Capture One

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Hi folks; Mike here:

Since the pandemic effectively shut down the world, the people at Meetup.com suggested that people hold all meetups virtually. It’s a little ironic considering the foundations of Meetup.com, but it is what it is. We care for each other. Also ironic is that for a person who doesn’t do cameras (the day Marcia and I were married there were so many cameras it looked like a paparazzi event) I’ve begun to put myself up on YouTube to share a bit of information with the members of the Victoria Photography Meetup Group. Since the videos are out in the wild anyway, we thought maybe we should put them up here as well. This is the first of the four; we’ll add the others in a somewhat timely manner. Although I still have and occasionally use Lightroom 6.14, for my Sony A7RIII files I’ve jumped completely to using Capture One 20 for my Digital asset management, raw conversion, etc.

If you have any questions or comments, please feel free to post a comment below.

Hugs,
M&M

P.S. You can find the rest of our tutorial posts here. We’re closing in on a hundred now, I think.

Affinity Photo Panoramas: A Quick Tip

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Hi Folks:

A little while back we did a post on Affinity Photo, HDR and Panoramas; this is a follow-up of sorts to that.

Marcia and I were out at Rithet’s Bog recently and among the images made that day I took six images that were made into a panorama. When one creates a panorama in Affinity Photo (or any other panorama program), the software uses control points (matching features in two or more images) to bend, stretch, twist and manipulate the individual images into something resembling one image. In the film days this was called a photo-mosaic and its completion was much more complicated. In any event, the result inevitably ends up with having some ragged edges, depending on how well one lines up the base images. An example:

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Affinity Photo, HDR and Panoramas

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Hi Folks:

I’ll be the first to admit there’s a lot about colour I don’t know, so feel free to correct me if I misstep. I have a Sony A7RIII, Capture One Pro for Sony 20.1 and Affinity Photo 1.8.3.

NB: I can’t see what you’re seeing because your monitor is different. Also, these are sRGB .jpg screen captures of what I’m seeing. Still, there’s value in comparing them to each other.

Since Lightroom (Lr) 6.14 doesn’t work very well with my .arw files, I’ve been using Affinity Photo (AP) to combine my HDRs and panoramas. I’ve learned a few things. I took nine images made last October to play with. None of this is worth keeping, but it’s good to play with.

Continue Reading →

4:1 – Re-imagining the Frame

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Hi Folks:

As photographers, one of the most important challenges for us is to continue to change how we see and to stretch our creativity. One of the ways to do that is to pick specific parameters and then to make a body of work that fits within those parameters. It might be to shoot only one subject, to shoot only in grayscale (B&W), to make an image every day… In the film days, most people’s relationships to photography revolved around a few aspect ratios: 2×3 (4×6), 4×5 (8×10), 5×7, etc. With some older cameras we also had 1:1 square prints, usually from 120, 127 or 620 film. With digital photography we’re not so limited, although some of the same rules apply when we get to printing. Movies (and now video) have always embraced wider frames, although there was no one standard aspect ratio. We have movies made in 1.78:1 (16×9) out to 2.4:1 (22×9) and beyond. Outside the movie theatre, for the average person 16:10/ 16:9 showed up in their lives with the first widescreen computer monitors and digital TVs. Continue Reading →

Seeing Red(s)

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Hi Folks:

Every three years, in July, Northwest Deuce Days comes rolling into Victoria. While it means different things to different people, to the public at large it mostly means a car show with a lot (this year over 1300 vehicles registered) of classic cars. Many of them are Ford 1932 Deuce Coupes, but there is literally a cavalcade of lovingly restored and/or modified vehicles here. Everything culminates with a car show that takes over much of downtown Victoria. If you like classic cars, this is vehicle heaven.

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