Hi Folks:
This image shows our most recent Hug Zone chalk art drawing. The idea was independently created by the mathematician Roger Penrose. It’s a form of aperiodic tiling, and the idea has been around for millenia. For more on that, see here: Continue Reading →
Hi Folks:
At the end of July we had one of our grandsons come for a visit, and we did our best to squire him around town and visit/revisit some of the highlights Victoria has to offer. Of course we had to involve him with creating new chalk art patterns, to which he willingly acquiesced. Here then are the world’s first G M hugging spot originals!
First, in front of our house:
Because every cloudy sky needs a rainbow. The shadow is from a street sign, but if it looks to you like a bunny jumping up into the rainbow, that’s okay too!
Evidence of people carrying our rainbow with them – even if it’s only on the bottoms of their shoes!
A few days later we went downtown to our old hugging spot at the Homecoming Memorial and we created Hugscotch 2.0!
It works! (as evidenced by Marcia and grandson). We were even lucky enough to see spontaneous hugging taking place before we left! We applauded, of course. 🙂
Remember to hug the ones you love today! We trust G. will put to good use the box of sidewalk chalk that arrived at his house before he returned home. 🤗
Hugs,
M&M
Hi Folks:
A year ago we posted a blog post titled, “Receiving Kindness“, where we wrote about two gifts we had received in exchange for our ongoing hugging spot chalk art project. The first was a beautiful painted stone someone left on top of our gate, and the second was a lovely note someone taped to the inside of our gate.
Our last blog post (A Smile from Niklas) profiled a smile rock we received from someone named Niklas, left on top of our gate, and this has since been followed by another lovely note! We found it after setting out our BE A HUGGING STAR design; the note looks like this: Continue Reading →
Hi Folks:
Last year we did a blog post called Receiving Kindness where we highlighted two gifts we had been left. The first was a beautifully painted stone left on top of our front fence, and the second was a note letting us know how much someone loved our chalk art on the sidewalk in front of our house. We were quite touched by both of these gifts!
Well, yesterday we found another gift: an ocean-rounded stone upon which someone had drawn a happy face with a black marker. 🙂 On the back side was a name (Niklas A.) and the word happy. We don’t know if Niklas left it for us or if it was passed along by someone else, but it doesn’t matter. We are very happy because of it!
It continues to amaze us how much beauty and kindness there is in the world, every day. We’re a little saddened sometimes that there are those who don’t seem to see much of this, but this must be an individual choice. Grow joy in your own Being and you will radiate it out everywhere you go. As you do, you will become attuned to seeing it, and it will continue to show up spontaneously in your life.
Sending love and hugs your way,
M&M
P.S. Special thanks to the woman this morning who stopped to read the Hugging Poem on our fence and who called out, “I love this!” Made our whole day. 💗
For those of you who can’t walk by our front yard to read it, the poem is here:
Hugging is
Hugging is healthy. It helps the immune system, cures depression, reduces stress and induces sleep. It’s invigorating, rejuvenating and has no unpleasant side effects. Hugging is nothing less than a miracle drug.
Hugging is all natural. It is organic, naturally sweet, no artificial ingredients, non-polluting, environmentally friendly and 100 percent wholesome.
Hugging is the ideal gift. Great for any occasion, fun to give and receive, shows you care, comes with its own wrapping and, of course, fully returnable.
Hugging is practically perfect. No batteries to wear out, inflation-proof, nonfattening, no monthly payments, theft-proof and nontaxable.
Hugging is an underutilized resource with magical powers. When we open our hearts and arms we encourage others to do the same.
Think of the people in your life. Are there any words you’d like to say? Are there any hugs you want to share? Are you waiting and hoping someone else will ask first? Please don’t wait! Initiate!
We need four hugs a day for survival, eight hugs a day for maintenance, and twelve hugs a day for growth.
– Virgina Satir
Hi Folks:
All of Marcia and Mike’s parents are gone now, but we have two sons and a son-in-law and five beautiful grandchildren. We are Grandy and Grandalf! 🧙♀️&🧙♂️
As with those who are moms, Happy Father’s Day today to all of the strong, loving men who are fathers, to those who are chosen dads, surrogate dads, step-dads, adoptive dads, and to the women who are also dads.
Special thanks to all those who love and support them.
Hugs,
M&M
Happy Mother’s Day today to all of the strong, beautiful women who are mothers, to those who are chosen moms, surrogate moms, step-moms, adoptive moms, and to the men who are also mothers.
Special thanks to all those who love and support them.
Hugs,
M&M
Anyone else needing a nice warm hug? As explained in our We Have Huggers!! post in May last year, we came across a short video on Instagram showing someone who had created a Free Hugs zone in sidewalk chalk outside their house – and the various people who had taken advantage of the situation. Always willing to contribute to more acts of kindness, we created our own first attempt. We were so inspired by the effect that we created 11 different hug zone patterns in 2022 (12, if you include the one we created at our old Free Hugs spot at the Homecoming Memorial at Ship Point). Continue Reading →
Hi Folks:
It was a dark and stormy night. I’ve always wanted to write that… haven’t you? Okay, in this case it wasn’t night (mid-to-late afternoon) and it was sunny rather than stormy, but it was dark. Marcia and I were on a trip to Tofino, BC and I was wandering along the boardwalk of the Rainforest Trail in the Pacific Rim National Park Reserve. The elder trees soaring above me blocked out much of the daylight, but they were the reason I was there.
Before we get too far, a few basics to get out of the way. First, I was shooting with a Sony a7Riii camera with the FE 24-105 lens, set to 1/125th second and f/6.3. ISO was set to 5000, but we’ll get to that later. I didn’t bring a tripod that day, but I did have my camera sitting on a Manfrotto monopod. Second, I have no idea what you see when you look at these images. This is partly because I don’t know if your monitor has been calibrated and profiled, and partly because I don’t know if you’re using a web browser that allows colour management and/or if you’ve enabled that. In the end none of that really matters because this is essentially an apples to apples comparison. I should note that this post isn’t targeted toward beginner photographers, but if you read something you don’t understand, please feel free to leave a comment on this post or fill in our Contact Form. The only stupid question is the unasked one.
There are three software packages in this game: Capture One 23 (16.1) is my raw editor. PTGui 12.20 is software for stitching panoramas, and Topaz DeNoise AI 3.7.2 is noise reduction software. AI is a term used ubiquitously these days, but the only intelligence involved here is still with the programmers. AI software uses very large databases of information and certain algorithms to make what one might call educated guesses as to what the user wants. Also, when processing in any of these packages there are what are known as auto adjustments (I’ll refer to them here as AA) and there are also sliders whereby one can tweak the suggested settings. With the exception of the final image, I stuck to AA in order to keep the processing as equivalent as possible.
Hi Folks:
During our trips to Tofino (on Vancouver Island’s wet coast) we always like to invest some time in the Pacific Rim National Park Reserve. There are a few trails we like to visit, and one of them is the Shorepine Bog Trail. Now, if temperate rainforest brings to your mind a dark canopy of trees, a woodland filled with forest giants, this isn’t it. Instead think of spongy ground, poor soil quality and an abundance of acid-loving plants like sphagnum moss and Labrador tea. There are trees here as well, but poor growing conditions mean that they grow very slowly and die very slowly. These combine to create a largely open space with a mixture of both living trees and bleached, dead ones contorted into twisted shapes.
Continue Reading →
Hi Folks:
We consider ourselves lucky to live about 300m from the ocean, and also that once a year we escape the city for Tofino on Vancouver Island’s wet coast. Both locations give us intimate contact with the ocean (sometimes more intimate than others 🌊). There are times when the ocean is very quiet, very smooth, and others where the ocean easily tosses about entire trees. We’ve learned to respect and enjoy both extremes.
Despite the title I haven’t made ocean waves but I have made many images of them. All of those used in this post have three things in common: the images are all of waves; they were all made last October; and they were all shot at 1/4000 second. Water is constantly moving, even when we can’t see it, and choice of shutter speed is something that responds to the situation at hand. Using a very slow shutter speed, say 1/4 or 1/8 second tends to add a smoothness, a silky texture to the movement of water. Going even slower can add a ghost-like, fog-like effect. That can work well for streams and even waterfalls, and when combined with a slow pan can create an interesting effect for waves.
For the most part, however, wave watching is an incredibly dynamic experience and when a wave meets the shore it happens very quickly. BOOM!! By shooting at a really high shutter speed we capture a very thin slice of that action in a way that the naked eye can’t quite visualize.
Most of the dozen images here are single frames; there are a few that are image stacks. These are sequences of photographs capturing the same scene, but with the photos superimposed over each other. Here we are privileged to see a period of time compressed into one moment. The stacks here are of 3-5 images; this too is scene dependent. Too many photographs used together blurs the impact. Finally, the last photo in the sequence is a triptych of three images – again showing a punctuation in time (less than two seconds) sequenced to bring you in and give you an opportunity to experience it for yourself. Continue Reading →