Hi Folks:
I’ve been making digital panoramas for a lot of years now, and I’ve written at least a half-dozen different posts on different aspects of them. This one is for a specific case scenario rather than a general post on panoramas, but before we get too far, we need to cover a few basics. If you want to skip the basics and go straight to the rainforest part, click here.
First, understand that digital cameras don’t capture images. Digital cameras read light and render it as information; that information can be displayed in a way that makes it look like a photograph. All digital cameras capture raw files; not all digital cameras give you access to them. Now, raw files require digital post-processing on a computer (as compared to .jpg files, which are post-processed using an algorithm provided by the camera manufacturer and the processing power of the camera). The other side of that comparison is that raw files provide much more information to play with than .jpg files. This is especially important when shooting in the rainforest, as we’ll get to below.
Second, to do this with any degree of efficiency it’s important to understand at least the basics of colour management as it relates to cameras and computers. Remember: it’s less about accurate colour and more about consistent colour between devices.
So that we’re all on the same page, it’s important to understand the difference between a panoramic image and a digital panorama. Compare these two images:
(click on any image to see it larger)
Dallas Road shoreline, Victoria, BC
Third Beach, Tofino, BC
