Shorepine Bog Trail

Hi Folks:

During our trips to Tofino (on Vancouver Island’s wet coast) we always like to invest some time in the Pacific Rim National Park Reserve. There are a few trails we like to visit, and one of them is the Shorepine Bog Trail. Now, if temperate rainforest brings to your mind a dark canopy of trees, a woodland filled with forest giants, this isn’t it. Instead think of spongy ground, poor soil quality and an abundance of acid-loving plants like sphagnum moss and Labrador tea. There are trees here as well, but poor growing conditions mean that they grow very slowly and die very slowly. These combine to create a largely open space with a mixture of both living trees and bleached, dead ones contorted into twisted shapes.
Continue Reading →

Learning to See in Black and White

Hi Folks:

This is the sixth of the YouTube videos we’ve done for the Victoria Photography Meetup Group. Since the videos are out in the wild anyway, we thought maybe we should put them up here as well. The last talk was on the basics of colour so this one is on making black and white (grayscale) images. For most people, the best way to make grayscale images is to shoot in colour and then convert the images into grayscale on the computer. We explore the reasons for that and a few ways to maximize that colour information…even when all you can see on your screen are shades of gray.

As always, if you have any questions or comments, feel free to leave a comment below or fill out our contact form.

Two versions of an image of the Koksilah River: the top in colour and the bottom in black and white. This image is the link to the tutorial video.

Learning to See in Black and White

Hugs,
M&M

P.S. You can find the rest of our tutorial posts here. We’re closing in on a hundred now, I think.
P.S. II, the sequel. Harvey Stearn has an excellent post: Black & White Image-Making In the Digital Age. Well worth reading.

Playing With Colour

Hi folks:

This is the fifth of the YouTube videos we’ve done for the Victoria Photography Meetup Group. Since the videos are out in the wild anyway, we thought maybe we should put them up here as well. As I mention in the introduction, colour is a topic on which one could easily earn several PhDs. I’m not much above the Kindergarten level of understanding myself, but understanding the basics of light and colour is essential to photography – even if one only shoots black and white (grayscale) images.

As always, if you have any questions or comments, feel free to leave a comment below or fill out our comment form.

Hugs,
M&M

P.S. You can find the rest of our tutorial posts here. We’re closing in on a hundred now, I think.

P.S. II, the sequel. A couple of links:
This Woman Sees 100 Times More Colors Than The Average Person
Online Simulator Shows You What Photos Look Like to People With Color Blindness

Happy Father’s Day!

To all fathers and those who have assumed the role: uncles, aunts, grandparents, siblings, friends and others, today we salute you for the monumental task you have undertaken. Remember to lead with love.

Hugs,
M&M

Father and Son
(look closely)

Shooting Fall Colours… sort of

Hi Folks:

If you live in the northern hemisphere then autumn is upon you, and if you’re fortunate enough to be in an area that has deciduous trees, then they’re likely in the process of turning the glorious colours of fall – reds, yellows, oranges, browns… (NB: if you want to know why the leaves change colour in the fall, click here). This is a great time of year to be a landscape photographer, and it’s easy to become seduced by all of those colours. However, it’s also a good time to look at the underlying skeleton of your photographs, and one way to do that is to remove the colour and move to a monochrome palette. (Yes, this is an attempt to put off the ‘learning to see in black and white’ post I keep thinking I should write, but for now this will serve well as placeholder. 🙂 ) By shifting away from the colours of the leaves we can look at shapes, at form, at movement, at textures, at light and shadow… All of these essential components exist in colour images as well, but they can get moved to the background of your compositions if you’re not careful.

The images below were all shot in nearby Beacon Hill Park on the same day. All were shot with my cell phone as I was walking through the park, and they all share similar processing in Lightroom. They all reveal what lies behind the colours that are so wondrously revealing themselves right now.

Okay, that’s it. Now go out and make some photographs!

Hugs,
M&M

P.S. It’s important to remember that unless you have a camera with an achromatic sensor (since there are only a few companies in the world that make them, if you had one, you’d know) with digital you’re always capturing colour information even when you’re shooting in B&W. As such you can adjust the luminance values of the various colours (shown as grayscale) to change the contrast and overall look of a B&W image either in camera (when shooting jpg, by choosing a different recipe) or in your raw file conversion software.

The Earth is Singing

The other day I walked down to the ocean, stepped past the rocky shore and the water hid my sandals as the waves lapped playfully around me. I walked knee deep out to my island, where I’ve never been except at low tide, and had the ocean racing around and around the edges, flinging drops up playfully to tickle, to caress. I haven’t felt that alive in a long time.

And as I sat there, with all of the world behind me and only the ocean in view, she began to sing, just for me.

I realized that the old tales of Sirens being evil, luring men to their deaths on the rocks was wrong – that the sailors gave themselves to the water gladly, with full hearts, just to feel wrapped in that sound.

Hugs,
M&M

Holland Point Waves

Photo of the Month – Cathedral Grove

Hi Folks:

March has been a busy month for us, but we did take one day toward the end of the month and head ‘up island’ to Cathedral Grove.  A part of MacMillan Provincial Park, Cathedral Grove has been ‘gentrified’ to provide easy access to a stand of several-hudred-year-old Douglas fir and cedar trees.  Unfortunately many of the trees are suffering from root rot/fungal infection, and a heavy wind can bring down a rain of branches.  Fortunately for us, on the day we were there we had sunshine (it only rained while we were driving), little wind, and not many other people.  I made over 400 images that day, almost all of them for HDR/panoramic images, and collapsed that number down into less than fifty composites.  I’ve joined them all up but have yet to push them around in Lightroom.  I do have a couple, however, and thought I’d share them here.  Both are 3-shot bracketed exposures (HDR, at +1/0/-1) and converted to B&W in Lightroom.

The Sentinel

The Sentinel

Ancient Watchers

Ancient Watchers

Okay, that’s it.  Now go out and make some photographs!

Hugs,
M&M

P.S. You can find more of our posts on photography and Lightroom tutorials here, and you can find links to over 200 other sites that have Lightroom tips, tutorials and videos here.

Photo of the Month – A Return to Film

Hi Folks:  According to Wikipedia, it was 120 years ago (1892) that George Eastman first began supplying Thomas Edison and William Dickson with 35mm film for their movie projectors.  Film was around before that, of course, but in a variety of sizes and feeding systems; 35mm film became a standard in 1909, and in 1934 the 35mm film cassette for still photography was introduced.

So, in honour of 120 years a group of us met on a rainy afternoon in November at Ross Bay Cemetery to celebrate a (temporary?) return to film and to the days of B&W.  Some had never shot film before, for some it took a while to remember how to work a film-advance lever, and for others film is still in daily use.  For the most part there was no autofocus, no LCD screens (“you have to look through the little viewfinder there”), and no ‘instant’ results.  Those who had film cameras brought them, and those who didn’t were welcome to bring some film and borrow a camera from someone else.  I brought six cameras (five 35mm and one double lens reflex) and loaned out three.  For those who just can’t get into film, they were welcome to bring their digital cameras and there wasn’t a bucket of tar nor a bag of feathers anywhere about.  More on that in a bit.  Overall it was a lot of fun.  Continue Reading →

Photo of the Month – September

Hi Folks:

One of the basic tenets in photography is that every image has to stand on its own merit – as the saying goes, “Nobody cares what you went through to make that photograph.”  Still, I’m reasonably proud of the image below because of the circumstances in which it was made.

About the middle of September Marcia and I took the ferry over to Saltspring Island to take in the market and the Fall Fair, and we caught a late afternoon ferry to return.  There was a storm brewing, so, fool that I am, rather than being safely ensconced in the cabin I was out on deck making photographs of the clouds.  This image is a panorama stitched together from 19 images, shot handheld on a moving ferry.  The 19 images were stitched together in Autopano Pro, and the final image was pushed around a bit in Lightroom.  I trust you’ll enjoy it!

Now go out and make some photographs!

Mike.

Saltspring Island Storm Clouds

Saltspring Island Storm Clouds

Photo of the Month: Thunderhead

Hi Folks:

October 4th already and I just realized this morning that I didn’t do a ‘Photo of the Month’ post for September.  Yeesh!  So, in the ‘better late than never‘ category…

September’s image wasn’t very hard to choose.  I wish I could take credit for the clouds, but someone else gets that honour.  It was one of those ‘grab shot’ images; I was downtown and walking along the Inner Harbour and the clouds were just amazing.  I made several series of images for panoramas, but this one was the best in my opinion.  I use Autopano Pro to combine my images into panoramas and process everything in Lightroom.  If anyone’s interested, this image was converted to B&W in Lightroom, and then ‘coloured’ using the split-tone settings of:

Highlights
Hue: 41
Saturation: 23

Balance: +100

Shadows
Hue: 0
Saturation: 0

It’s a sepia effect that I like.

Here’s the image:

Thunderhead

Okay, now go out and make some photographs!

Mike.

P.S.  I entered this image in the recent ‘Tip Squirrel Lightroom Competition‘.  If you want to see the original (before) image and Lightroom-processed (after) image together, you can do so here.

P.S. II, the Sequel: You can find more of our posts on photography and Lightroom tutorials here, and you can find links to over 200 other sites that have Lightroom tips, tutorials and videos here.